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Band: The Plastic Revolution

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Band Name

The Plastic Revolution

Profile Type

Band

Band Link, share with your friends and fans!

Members

jakeskolnick

eMail

jakeskolnick@yahoo.com

Website

http://www.theplasticrevolution.com
http://myspace.com/theplasticrevolution

Location

San Diego

Influences

Jeff Buckley, Fair To Midland, Siko, Clear Static, Strung Out, Avenged Sevenfold, Taking Back Sunday,

Bio

Artist Bio:

The last party The Plastic Revolution played at San Diego State University went something like this: over a thousand people gathered to see a local pop-punk/electronica band described by a group of sorority girls as, “Like a mixture of The Muse, My Chemical Romance, Panic At The Disco, and The Used, with better lyrics…” After seven kegs and nine hundred beers, the two-bedroom guesthouse collapsed under the mountain of people standing on it; during which time the band didn’t even notice or stop playing until the police stormed into the backyard from all angles. What was proclaimed “The Craziest F***ing Party In San Diego State History” by local law enforcement, was a night that many speculate forever changed the City of San Diego’s policy on Capping Houses. Such dramatic and fantastic nights like the aforementioned “Lindo Show,” inspired the creation of the song “Aztec Anthem;” a crowd favorite among old fans and new of the band The Plastic Revolution.

The Plastic Revolution (TPR) officially began as a conglomerate of the emotions and experiences of an adolescent male living in the new millennium. Originating as an outlet to express all the emotions modern man is taught to subdue, lead-singer Jake Skolnick writes catchy, substantive music. Releasing an independent acoustic album in 2005, which distributed over 2000 copies in the San Diego area, “A Night At 54th St.” became a regular soundtrack to the lives of college students and partygoers everywhere in Southern California. After many acoustic performances on the West Coast and in Europe on a semester abroad, Jake combined forces with fellow “musical soldiers” Justin Carey, Tommy Kelly, and Carlos Ortiz, and the foursome exploded onto the Southern California music scene January of 2007.

Playing to dozens of bars and packed parties over the year, TPR’s popularity began to rise. As the band picked up bigger gigs (The Electronic Music Marathon, Headlining at Staump.com’s Rock The Gaslamp) they started gaining label interest. On May 16, 2007 TPR played a sold-out Industry Showcase at Los Angeles’ Club Goodhurt, which is featured in individual videos on the band’s website. Since the band is quite attached to their unorthodox song-structure and content, TPR resisted the urge to sign any record contract offered and decided to stick with their punk rock roots by recording and releasing their music with no deadlines. Such is the reason why at the end of 2007, TPR signed to their own independent label: Mannequin Vanity Records.

At this time, head of San Diego State’s Electronic Music Department Joe Waters offered the band exclusive summer access to the half-million dollar studio at the school. Without question, the rest of the summer was spent by TPR in 12 to 20-hour sessions at the studio; diligently working on their debut album. As the band was outside on a smoke break discussing the future, they all agreed that all their lives were coinciding and manifesting into an entity only describable as a perpetual state of “Planning For Chaos.” This conversation marked the birth and significance of the album title.

As tracking was almost done, mutual friend and producer Roland Lee Ware II (Rdub Recordings) got wind of the band’s progress in the studio and asked to come by and see what was going on in the studio. After hearing the first song and demanding 15 minutes of coaching Jake in the booth, a match was made in heaven. From that moment on, Roland produced the rest of “Planning For Chaos,” eventually bringing the project to Jeff Forest (Blink 182, Avenged Sevenfold, Atreyu, Incubus, As I Lay Dying) at Doubletime Studios for additional production, mixing and mastering. After Mannequin Vanity Records cut a distribution deal with iTunes, on November 27, 2007 the record became the first release on Mannequin Vanity Records and Rdub Recordings.

Currently TPR is booking a 21-date tour throughout the western United States for the month of August 2008. In preparation for tour, TPR is engaged in a variety of residential acoustic performances, listening parties and other promotional activities including: features in online music services (Ruckus, iTunes, Lastfm), websites (Second Life, staump.com), and blogs (latenightwallflower, todaysmusicbiz.com). Most recently TPR organized and performed at a benefit concert with Comedian Donnell Rawlings from The Dave Chappelle Show at New York’s Josie Wood’s Pub, which raised over $2,000 for charity. In the upcoming months TPR has acoustic shows scheduled in Chicago and New York as well as listening parties in San Diego, LA, and other cities soon.

The music of TPR is riddled with substance and is undeniably poignant. Characterized by untraditional song-structure, fantastically catchy hooks, and explosive exploratory lyrics, this music is truly a “revolution” of dynamic proportions. This kind of insight is what the pop-loving, everyday people of the world crave. It is music that is a social necessity in contemporary life: breaking all constraints and categorizations. Ultimately, no subject is taboo and this music is not merely pop/punk/electronica/hardcore or any other characterization. The Plastic Revolution is what we all are, a rough collection of the constant bombardment of stimuli thrown at us at all times; sometimes passionate and sometimes perverse, but always emotive.

Here’s what others have said about The Plastic Revolution:

“Really, Really, Impressive.”

-George Stein, Manager, Jeff Buckley

“The songs have depth not often heard in today’s lyrics; the vocals have range and true feeling. The Plastic Revolution makes you feel something for a change. Every song is memorable. Buy the album and it will be one of your most listened to.”

-Catlin Valles, Publicist, Valles Inc.

“… it ROCKS and the production is beautiful! I love the integration of solid rock band textures with detailed electronic interlacing! Great Job!”

-Joe Waters, Department Chair, San Diego State Electronic Music Program

________________________________________________________________________

Jake Skolnick

222 First Ave # 4D

New York, NY 10009

Phone: (619) 871-7412

Email: booking@theplasticrevolution.com

Websites: theplasticrevolution.com

Myspace.com/theplasticrevolution

Reviews

timstaump

Founder

Joined: Jun 5th, 2006

timstaump

The Plastic Revolution review by timstaump

posted: April 2008

The Plastic Revolution has performed an album they should be proud of! "Planning for Chaos" is refreshingly original. Throughout the entire album everything felt very precise, and at the same time not overly perfected. Each song felt like it should have been there. The only thing that was at times distracting, were the synthesized beats throughout the album. There were moments when those beats were very reminiscent of the Disney Parade of Lights. On the other hand, the way those same beats tied every song together seemed to work very well. It felt very natural to listen to the whole album all the way through.

Every song had an interesting structure that was not your typical phrasing. It was surprising to the listener without being confusing. Lyrically, the album was complex and poetic. When reading through the lyrics, one may think the songs to be too wordy. However, Jake Skolnick somehow makes it work, and you never feel bomb barded with too many words. There were moments when the meaning of a song was vague, but the emotion within the instrumentation usually helped guide the listener to an understanding of the lyrics.

Another aspect of the album that was captivating, were the vocals. Whether one likes the voice, or not, it was certainly memorable. There is no doubt that energy fills every word. Throughout the album the listener encounters several types of voices from the same singer, Jake Skolnick. Some of these voices were better than others, but overall, it helped with grabbing the listener's attention. You never knew which voice you'd hear next.

The strongest song on the album was "At the Top". It felt the most profound. There are a whirlwind of feelings that arise while listening to this song. It was instantly ingrained as a memory, and was filled with intensity.

The Aztec Anthem was also a great song. It was not one of the more lyrically intricate, but the placement and feel of the song was a perfect addition to the album. It provided a necessary release from the intensity that surrounded it.

Overall the Plastic Revolution preformed an entertaining, emotionally intense, original, and unforgettable album. Any listener would feel that the musicians gave 100% of themselves to every song. These songs will easily get stuck in your mind, and you will find yourself humming the Plastic Revolution's tunes. Every song had a memorable lick that hooked the ear. Check out "Planning for Chaos," and you won't be disappointed!

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